Final Acre Project

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Acre has been one of my favorite restaurant experiences of my college career. That’s huge coming from me.

So when I needed a video story idea, I almost immediately knew that I wanted to do a story on Acre in some way. I wanted to convey a little of that experience to you, my lovely readers.

Sorting through the ideas for story direction was a challenge. However, I ended up choosing to tell the story of the vision of Acre and what they do differently through the executive chef himself, David Bancroft.

I had a lot of excellent interview snippets to weave together. The hard part was picking which ones help me get the flow right.

It wasn’t all kicks and giggles, though. I had to work around a few things.

The first and most stressful challenge I faced was that when I went in at our scheduled time Monday, Bancroft wasn’t there. Sadly, he was attending a funeral and had lost my number to let me know. He also didn’t mention to his staff that I’d be coming.

Thankfully I was able to get in touch with him and set up a time for the next day.

When time to shoot came, I faced the new challenge of working with a location that used mostly natural light. As it turns out, my efforts to angle the light in my favor gave me a lot of really cool video.

Sure, some shots I really wanted to use were too dark and I had to leave them out for the integrity of the rest of the video, but that’s why we always follow Dr. Fuhlhage’s advice to over-shoot the B-roll.

Also, I had perfect light outside. And I really loved the way the wind added movement to the plants. That just turned out cool.

Another challenge I faced while shooting was that I was unable to use the tripod most of the time. I had to respect Bancroft’s request that I not get in the way of the staff. The tripod made that impossible.

So I braced myself, literally. I was in all kinds of positions trying to use a counter, a wall or pretty much anything to steady my shots as much as humanly possible.

The biggest challenge was making sure all these things–the interview, the lighting and the steadier shots–formed the story I wanted to tell. I’m happy to say, it turned out great.

For my next video project, I think I’ll do my best to plan two filming days. That way I can look back at the first day’s shots and interview and see what I think I should add to it.

If that’s not possible. I’ll look back at my shots halfway through filming time and see what to add.

Take a look at the final product:

 

 

Here are two other video stories that I think are worth a watch.

The Red Lion Inn: A Farm Fresh Update to a Historic Restaurant by Food Curated is like what I was trying to do with Acre. I love how they connected all the dots between the farm and the restaurant. They show how the Red Lion Inn is different, like was doing with Acre.

Drawn to Fire: Chef Jeremy Stanton of The Meat Market, also by Food Curated, does something that I originally was going to do with Acre. It shows the chef’s passion for his craft. In my case, the story just formed more naturally to focus on the restaurant.

 

 

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